I once read about Andy Warhol’s film Empire and thought it could form a decent stylistic background for a movie about your average programmer’s work day.
One continuous 8 hour shot of a programmer sitting by a computer, slowly scrolling through a code, pausing for a long time to stare at particular sections, and occasionally saying “why the fuck doesn’t this work?”
Funny thing, Pixelfed isn’t even a competitor to Instagram in the very very strictest sense.
Pixelfed is a federated service for posting photos.
Instagram started out as a service for posting photos, but it has become this… thing. I don’t even know anymore.
In addition to the stuff already listed:
In the Swedish film version of “The Girl with the Dragon Tattoo”, Lisbeth and the hacker dude use Ubuntu, especially in the scene where they recover the stuff from Lisbeth’s broken laptop. (In the US version, they decided to use Macs instead. And included a scene where she goes to an Apple store with the broken laptop and they helpfully tell her shit’s unfixable. Realism.)
rm -rf /can brick your system
Well good thing there’s basically no legitimate reason to ever even use rm -rf / anyway so GNU version is perfectly within its rights to refuse to do that by default, am I right? If you know what you’re doing and want to nuke partitions, that’s what cfdisk and mkfs are for, dammit
- Yes
- Yes, and also delete Electron
- That, and also make me forget I ever even heard about Electron in the first place
It’s funny because GNOME was the first OSS X11 desktop environment to get actual usability testing from corporate developers (Sun Microsystems).
I’m not sure if they still have a user interface design guideline document, though. They probably burned it when GNOME 3 development started. Haven’t checked. I’ve mostly used Xfce since then (and very recently KDE).
Huh.
You know, when I think of supercomputer applications, I think of deeply analytical problems based on solid math and well understood algorithms that can be highly parallelised to take the maximum theoretical advantage of the hardware at hand.
You know, the opposite of what the “AI” crowd is doing. Throwing vast amounts of crunching power at a barely understood hypothetical black-box problem in hopes that it potentially yields some interesting results. Maybe.
…We control the treble, and all your bass belongs to us too.
/incredibly ancient joke
I had a rad cloak for my Hunter. They sunsetted it. Why was I even playing from then out.
Which is why I’m a Drupal fan. It’s wayyyy too overpowered for every purpose equally. …If I need a personal blog, there’s always Jekyll.
Choosing to not use something is not a good way to learn how to use it.
In this particular instance, the lesson is to either a) use the provided database tools (e.g. pg_dumpall) for live backup, or b) bring the database cluster down before you backup the raw data folder.
If I were building a larger site, I’d probably use Drupal.
It’s a bit of a departure from the “blogware” mindset though. You’re not managing “posts” and “static pages”. You’re managing stuff. …Which can manifest itself as pages or posts. Different kinds of content, different kinds of fields. Blogware gets hacky if you are posting anything but pages and posts, but in Drupal, every type of content is equally tweakable.
Hngh. Balatro already had a bunch of hassle on Switch eShop due to the PEGI ratings change.
Earlier, Nintendo somehow got a PEGI 12 rating for 51 Worldwide Games, which includes poker and blackjack. I wonder what they argued to avoid the 18 rating. “Sure, this compilation has poker and blackjack, but it’s not like we made it fun.” (It’s adequate but compared to Balatro it’s very much a non-frills experience.)
There’s a movie plot hook buried there. About a kid on spectrum whose robot buddy gets killed by the uncaring business. They go “oh no, I’ll have to fix my robot buddy” and go on to become a tech genius. One day, they become a tech millionaire, and the story’s antagonist, the shady businesses partner, goes “look, we’re bankrupt, we have no choice, we have to shut down all of the robot buddies”. And the protagonist remembers the saddest moment of their childhood and are like “no, we can’t do that”.
For those who don’t need cloud access, I just put all of my photos on a NAS and use a digital asset manager software. digiKam is great if you want an open source solution. I use ACDSee because it’s faster and has better usability in my humble opinion. But since both of the software packages store the metadata in image files and XMP sidecars and basically only use local app-specific database for caching, if digiKam ever gets a couple of quantum leaps ahead, switching back to it isn’t that big of a deal. (As usual, don’t use Adobe Lightroom or you’re screwed in that regard. Or so I’ve been told.)
I have them on CD-ROM.
I also think I have the final patches for them on floppies that I stuffed in the boxes. Not sure if they’re readable (or in fact the final patches)
When Twitter (and Reddit) pulled this off, I was just mildly pissed. Can’t do interesting things with my data, oh no.
…Image that, except it’s an expensive luxury car you’re no longer allowed to do interesting things with.
Elon Musk before: “Oh, these old Twitter executives were so dumb. When number go up, you’ve gotta show it everywhere!”
Elon Musk now: “Number not go up? For cripes sake, don’t show it!”
It’s apparently $50 a month, but based on one recent video from a guy who looked into this, there’s apparently a hard sell to “commit” to the program for a year, and if you do commit, it won’t let you cancel or refund, because you committed to the program, bro, that’s a sacred vow, bro, you can’t violate that, bro.
Bah. Me, I’ve been using Debian since 1997. I’ve tried Ubuntu (and, what was it called, Progeny?) a few times but decided it was just Debian with extra steps.