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Cake day: May 8th, 2024

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  • I’ve been using it full time for 21 years, and dual boot for years before that. Early on it definitely took up a bit of time, but that’s mostly because I was interested in breaking things and learning to fix them. Even 10-15 years ago I don’t think I would have spent more than a few hours a month fixing things. These days it’s a few hours a year, and that’s only when I start messing around with something in a careless way.




  • Shadow is a favourite, I’ve been listening to him for nearly 20 years. I went to see him last year. He’s fucking next level though, I can’t comprehend the patience it would require to do what he does. Blockhead is similar.

    If you’re in to that stuff, you REALLY should check out Kognitif’s Soul Food Album - IMO the most under-rated instrumental hip-hop album ever, I love it so much.

    I’ve been really digging El-P’s production lately. It seems a little bit simpler, less going on, but it hits super hard. Still requires years to develop that that taste for what samples should go where, I think.


  • Lots of good stuff in here!

    The point about separating out sample finding time from making music is really good. I often find myself in the middle of making a track, and think “I really could use a sample of X here”, and then go off down a rabbit hole of search (and rarely finding something appropriate).

    Actually grabbing and using the samples is much easier than finding them, IMO… crate-digging style sampling is more miss than hit for me so far. I do get the feeling that I should be trying to slow down, and approach each potential sample-source track more deliberately though…

    I did find https://samplette.io/ recently, which is pretty cool. Like an automated youtube crate digger, and you can filter by lots of parameters, like genre, number of views, etc.



  • If you have bitwig, you really don’t need much else. Other things can be nice to have, but focusing on new gear/software is a never ending rabbit hole that has a near-complete reduction in productivity at the bottom. Bitwig’s included synths, samplers, and effects are WILDLY powerful, and you can do basically anything you can do in any other synth, with few exceptions.

    I would focus on trying to make specific things. Like, try to recreate a section of a track you like. If you can’t see an obvious way to do a specific part in bitwig, look up a tutorial, or download a sample. That way you’ll focus on doing stuff you like, and on learning how to do it better.