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Joined 5 months ago
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Cake day: September 14th, 2024

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  • If they go and follow 200 users on 20 different instances, then they’ll most likely get followed back by someone on 90% of those instances. It’s not that much effort.

    I don’t know, this sounds like an unnatural way to interact with a service. Following 4000 accounts and trying to spread it out evenly between servers sounds like a terrible way to curate one’s own feed and consume content on a service like this. I rarely follow more than 100 on any given service, and think it’s weird when people follow more than 500.

    Following back seems like a pretty foreign concept to me on this type of service, and seems to me to be inconsistent with how people actually use Twitter or Bluesky. To me, these hiccups in user experience as either a lurker (can’t find anyone in-band who another person on your instance doesn’t already follow) or publisher (can’t be found easily from anyone off of your server unless you actively go try to spam follows in the hopes that some will follow back) would be a dealbreaker for anything less than the biggest server.



  • So if you set up on small server A, and want to be discoverable by users on server B, C, D, and E, you have to do this for many different users and hope that they follow you back just so that those servers’ users can find you.

    And it basically defeats the main use case for where I actually understand microblogging, which is one-way announcements by semi-automated accounts that are widely followed that do not actually follow anyone else back.

    It just sounds like a bad arrangement for discoverability and search.

    hashtags are big on Mastodon

    But I can’t view the posts of any users by hashtag if those users aren’t already being followed by someone from my server, right? That means I’d never want to join a small server if I’m just a lurker who doesn’t really want to actively interact with others, because my own feed would be limited.

    there’s no algorithm

    Sounds like an algorithm that’s just more complicated and has unintuitive human inputs in it.


  • Follow people and hashtags and interact with them and you’ll get followers.

    That sounds like a convoluted method of self promotion, almost like SEO fake engagement, just to be discoverable. And if everyone on the network had to do this to be discoverable, how can I trust the discovery methods to find people worth following?

    And if the cross instance discoverability has these kinds of hurdles, then the promise of federation isn’t going to pan out.

    At least with Lemmy the nature of the platforms, users following a smaller universe of potential communities, makes each community much more easily discoverable for people who don’t necessarily want to be active posters. Mastodon’s user-focused follow is much more limited in seamless federation.


  • Marvel licensed the film rights to Spider Man to Sony.

    Then X-Men to Fox.

    Then Hulk to Universal.

    And throughout all of this, the lawyers have fought over which villains or characters properly fall within each category, signing new deals or borrowing characters and rights.

    The Disney-Fox merger made things simpler for X-Men versus not-X-Men characters. But the Spider-Man cross licensing for Sony-produced Spider Man movies that take place within the same universe as MCU makes it more complicated, too. So did the Netflix rights to Daredevil and Jessica Jones and a few other characters in that orbit.

    Wtf is it for?

    To make money, including making sure that rights don’t lapse from non-use.




  • Yeah, I understand the article to be saying that the Hitachi contract is for the train control system, including the software and equipment necessary for the operation of the train underground. The broader system upgrades include communications systems between trains and stations. At least how I read it.



  • pulled right from the fuckin court documents

    The “court documents” are filings by the parties. You’re summarizing litigation documents filed by Twitter, in a motion to dismiss, which is a phase of litigation before either side comes forward with any evidence.

    The court hasn’t ruled on anything, so you’re just repeating statements that one side has claimed. I’m pointing out that the other side is claiming the opposite.

    The suing company isn’t going off anything but fucking assumptions.

    They’re not required to come forward with evidence (and litigation procedure doesn’t even give them much of an opportunity to come forward with evidence at this stage). What they have come forward with is literally sealed by the court, so unless you’re leaking confidential court documents you don’t have any idea of what they’re claiming. Take a look at the docket.

    If you’re going to be aggressive in this comment section, at least learn the very basics of the thing you’re being aggressive about. It’s clear you don’t know the basics of this type of litigation, so it might help if you show some intellectual humility, take a step back, and let the knowledgeable people actually weigh in, to be able to evaluate the publicly filed documents in an informed way. Whatever it is you’re doing instead, looks pretty bad.



  • Not in this case. I don’t know whether this particular VFX studio treats its workers fairly, but I’ve heard that the whole VFX world is generally terrible to its workers.

    That all is beside the point here, though. The VFX studio doesn’t employ writers or actors, whose strikes shut down production of films. So it doesn’t matter if the VFX studio treated its staff like kings. They were still going to lose a ton of work during the strikes, so there’s no avoiding these issues.