For movies and shows to a VPS, I’d install a command-line IRC client (like weechat) and get stuff using XDCC.

I used to have a bot that uploaded stuff to Google drive and mega for plebs on Reddit to download, and that what the bot used to get the content in the first place.

He’s posted before that Day 1 sales covered the cost the device itself, so a decent chuck of everything after that will have been pure profit. It was probably always doomed, what with YouTube being YouTube, so it doesn’t look like he’s too shaken up about it.

I bought the Last of Us 2 upgrade, so I can’t really criticise anyone buying this, but I’ve played this game to it’s absolute death - had every conversation, completed every mission, even played through on the hardest difficulty to get all the trophies - so I can’t imagine ever playing it again. It’s Guerrilla Games’ own fault - if they hadn’t made it so good, they could have had an extra tenner from me.

Crikey - it was only added a few hours ago and it’s already all kicking off on their GitHub’s Issues page.

Oh, well, that’s put me off Alien: Romulus a bit, to be honest. I kind of hate these call-backs, especially when there’s no sophistication to them (I can forgive the “I’ve got a bad feeling …” in Rogue One, but am utterly bored of hearing it in other Star Wars output).

The ominous side to all this, is that when films become entirely about referencing themselves, they stop being about anything else. Sci-fi works best when there’s an analogy for something that exists in our lives, and offers an opinion on that matter. For example, Lucas has argued that the Ewoks in RotJ represented the Viet Cong, which is a bit clumsy, but it’s better than the sequels, that only seek to represent earlier iterations of Star Wars.

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In what sounded like them making it up to the stars, Apple announced that they’d also greenlit a sequel (‘wolfses’) when they reduced the original theatrical release to one week. Apparently, now they’ve mixed even the 1 week run, they’ve also felt compelled to greenlight a prequel (‘teen wolfs’)

Ah, that makes sense, thanks.

This feels wrong - a tomato can’t be both ‘fresh’ and ‘stale’ - they’re the opposite of one another! If ‘good audience score’ is ‘hot’, then ‘bad audience score’ should be ‘cold’ surely.

It seems to be quite a lot for the server it’s hosted on though (which is not the snappiest). There are, of course, still areas in the world where - for one reason or another - people still are effectively on dial-up speed-wise.

Buster should turn their attention to the size of the images uploaded to servers like this: 1.1M is arguably overkill for this one.

Mastodon also has a different outbox format (one that’s paginated), so that’s the other reason their posts don’t show from Lemmy. Solving the problem of following users with fake communities has also been proposed (by me, and also here), but it’s generally a bad idea - a hack that will come back to bite you. If Lemmy were changed to integrate Mastodon more, it’d ideally be a big project - one that would fully embrace the idiosyncrasies of Mastodon (like muting replies and denying Follow requests) because ignoring them would lead to trouble later on.

Not much for beets. My config.yaml is just:

library: ~/.config/beets/musiclibrary2.db

import:
    move: yes

terminal_encoding: utf8

plugins: fetchart embedart

(so fetchart and embedart are the only plugins)

(from then on, a Navidrome server hosts the music, and I tend to use a Windows app called ‘Feishin’ to play it)

Hmm. Just re-checked. Still says the same thing for me. Maybe it’s country-specific (I’m in the UK), or browser-specific (I’m using Chrome on Android), or being A/B tested (although the comment about all French newspapers doing this suggests otherwise).

The cookie pop-up for this site gives you 2 options: ‘Accept and continue’ or ‘Decline and subscribe’ which I’ve never seen before and enters a new level of cookie choice abuse. (Accept is for 823 partners, btw)