• 0 Posts
  • 122 Comments
Joined 2 years ago
cake
Cake day: June 22nd, 2023

help-circle


  • This is the typical Jack Welch stack-ranking nonsense. The theory is that there will always be a bell curve or similar distribution that requires a certain percent (Welch said 10%, but it’s all over the map) be cut while new hires are constantly brought on.

    It kills morale and forces employees into short-term impact patterns to avoid the constant churn of cuts. It also means that performative work rather than actual substantive work is encouraged, since the appearance of productivity in whatever metric is stack-ranked is all that matters.

    Finally, it encourages people to do the minimum, because the alternative is to compete for bonuses that are only going to the people who meet the highest appearance of productivity metrics, which doesn’t correlate strongly with actual productivity, just as actual productivity (in terms of “producing” output) is also not strongly correlated with value (such as by knowing enough to efficiently complete tasks such that you are not appearing to “produce,” due to being extremely efficient).


  • HDCP isn’t DRM’s ultimate form of course. HDCP “3.0” or its successor will not be so easily cracked, and Widevine is not as cracked as past protection schemes have been.

    All of our non-Linux platforms will tighten DRM over time. Apple is already locked down. Android is moving to require boot-lock strong encryption and authentication to access sensitive apps, which is very difficult to spoof. Media companies will require that for future versions. Windows is on the TPM train. HDCP is just part of that “trust” chain, and it absolutely will be strengthened to match the base protection.

    Edit: Didn’t realize HDCP is already at 2.2. https://en.wikipedia.org/wiki/High-bandwidth_Digital_Content_Protection . Some interesting developments - namely a reminder that movie studios will also use lawsuits under the DMCA to try to suppress any technology that defeats DRM.



  • Piracy is resilient but there is no natural law that says piracy will always be available.

    There will be a TPM 3.0. All those mechanisms in XBOX Series and PS5 that are actually effective for extended periods at preventing mass piracy, like one-directional fuses and minimum software updates for new releases with per-device keys, are not going to disappear. Tech and media companies are now working together to bypass the user in trust chains, so they only have to trust each other.

    In a streaming-only world, I predict there will be a time soon where pirated content is not a bit-perfect copy because the digital environment is fully locked down. Maybe an analog reencode of display output will be a workaround. But like TPM, HDCP will advance, and maybe that avenue will be cut off too.

    Once we lose physical media, we may be cooked.






  • I know we’re taking about LG, but firmware updates really are as likely to break as to fix core functionality in my experience.

    My Hisense TV is automatic, full-on lockdown-until-you-update. You literally can’t use the TV until it updates. And lo and behold, after an update that I did everything to try to decline but couldn’t, we couldn’t connect to the Internet. Cue to 4 months of arguing with Hisense support to get a working TV again - a TV I paid for, to which Hisense applied an update against my will, that broke it.

    The only updates I trust at this point and welcome are Valve updates to my Steam Deck.









  • Probably an unpopular opinion, but I’d swap Inglorious Basterds, Django Unchained and The Hateful Eight and Pulp Fiction and Jackie Brown as blocks.

    Pulp Fiction at the time was perfectly calibrated and groundbreaking, but I don’t think it holds up as well as actual film-making and feels gimmicky re-watching it - lots of needledrop moments but not a ton of character development. Jackie Brown is better but the pacing and script aren’t very tight. Reservoir Dogs was a few setpieces and filler. On the other hand, Inglorious Basterds and Django Unchained are I think much more mature, tightly written and directed, and re-watchable. The Hateful Eight I think gets a bad rap because it seems like a small scope, but it’s again tightly written and reveals/develops characters in constantly interesting ways.

    Agree on Once Upon a Time in Hollywood being at the bottom, though. That’s my reaction to most Hollywood-focused movies.