I could in some ways understand their pursuit of emulators when they’re monetizing those same games currently (even if I disagree with their pricing structure on them). What really got my goat was when they went after Garry’s Mod animations, a medium that has promoted their visibility and never conflicted with their software sales in the slightest.

This is exactly my worry.

Suppose that on some level, this was possible. You wouldn’t see nice, cozy instances of people who’ve finished their old collection selling them to low-income folks that just got their first Steam Deck. You’d put some games on sale for $10, and an automated Python script would automatically buy them and put them back up for sale for $49.98, one cent less than the new copies being sold.

When literally every single digital copy of a game is “equivalent”, the used games market just doesn’t make sense - although there’s a hundred third-party sites that would like it to work that way so they can take their un-earned cut.

One retro game that I think hasn’t really been well-imitated since is called The Last Express. You’re on the last major express train through Europe before World War I.

What sets it apart is both a very vivid art style using rotoscoping of live actors, as well as a real-time gameplay system wherein the NPCs of the train can constantly move around, scoot past you in the car hallways, or even seek you out during certain key events.

I have generally found roguelikes to be too difficult, so if you want a turn-taking, strategic one that leans into the easier side while letting you set up many ridiculous combinations, I enjoy “Backpack Hero”. You get a Resident Evil 4 styled inventory screen, and must arrange/place items for an optimal build. You generally get rewarded for stacking similar items.

Flagging videogamedunkey to add this prediction to his next planned 2028 video about “the upcoming Switch 2”

That’s my thinking. I can imagine a live service game needing about 10 new lines from a character every few months, and depending on the hassle of recording studios, AI could be great for that - IF it can be set up in such a way that its use is only applied with permission of the actor who created the voice. They’d also have the right to refuse AI voicing for that session, provided they give a reasonable plan for in-person recording.

Even if I enjoyed a lot of that game, I feel sad that it often felt small-scope; tight hallways, no “canal/highway” type sequences, and only three guns. You don’t even use the gravity gloves in the innovative ways you use the gravity gun.

AaaaaAAaaaAAAaaAAAAaAAAAA!!! - A Reckless Disregard for Gravity

Giving some Weird Al vibes with that mission…

Anecdote alert: I mean, I went to Mint thinking this to be true. The first release I tried didn’t even support my (years old) WiFi drivers, and then the second couldn’t run levels in Hitman. (Bazzite did, however, so distro apparently matters)

I used to enjoy Gmod/SFM animations, but that content naturally takes months of work for people to put out. That was okay because there were dozens of amateurs always releasing their own things; but now, the trend is for weekly or even more frequent videos, which means animators need to rush to put out trendy 8 second shorts, switch to low-effort mediums like Let’s Plays, or just stop getting visitors entirely.

Every so often, I find a great animator that’s sitting in the last category getting their detailed animations quashed, and I get to see the 3 videos they’ve put out in the last 5 months; still wish YouTube could put them in my recommendations.

At this point what would make the most sense is an “Xbox Series Z” for people that want higher-performing games. I just don’t see thousands of people buying another $600 console for like 5 games, when most will continue to support the Xbox One. (Yes, Xbox One - most games on the front page of their store still support their old console)

Hard to say what’s the absolute best one, but some highlights:

Finale of Ace Attorney Justice for All; when you finally have the change in circumstances needed to pin the real killer and send them into a genuine panic.

Pizza Tower, final boss third phase: When Peppino sees that Pizza Face is sending him a Boss Rush, and flips his shit, annihilating each boss at lightning speed.

Ghost Trick, Phantom Detective: The final “4 minutes before death”, and multiple last revelations

Most of these are memories of story-driven moments nailed in by very solid soundtracks, which has very much convinced me how important music is to these games.

That’s the thing, I was careful about my wording; “if their only intention is to step up to a higher object”. If I tell someone to get on top of a cement block, their impulse won’t be to do a parkour jump where they’re tucking their legs, they’ll likely use their hands to lift themselves up. They wouldn’t even think of their action as a “jump”. When people press the spacebar in a video game, the intent is clearly to get higher onto the thing in front of them, it’s just most games choose not to express the particular actions a human does to do that (much like how we dropped Tomb Raider’s approach of manually holding a button to grab onto ledges)

In DRG, the way they differentiate intention is with the direction you’re looking - you can only mantle onto platforms you’re looking towards. So, you wouldn’t get many occasions where you’re dodging sideways and accidentally get on a platform.

In DOOM Eternal, they got rid of crouch, and put the grenade launcher on there. G was changed to toggle between your two grenade types. In Deep Rock Galactic, Ctrl uses the player’s laser pointer, a tool for communicating to teammates that doesn’t really impact gameplay. Having a free keybind offers a number of ways to enhance or simplify the game; if they wanted to go for simple measures, it could be a context-sensitive VO button, like spotting out enemy players.

You and I might do it as a connected reflex between the space key and ctrl key to always get a higher chance of reaching a ledge with no drawbacks, but it makes no digetic sense. People in real life don’t do a squat mid-air if their only intention is to step up to a higher object.

FPSes of both the realistic and cartoony variety have been introducing step-ups as a way to simplify movement for a long time. Examples: DOOM 2016, Deep Rock Galactic. It also means that they can connect other important game functionality to the Crouch button if that keybind just doesn’t do much for the intended gameplay.

We see a lot of the gold of indies rising above the crowd, but there’s still lots of indie studios failing. Think of one of your favorite indies, and try checking to see if they’ve made a second game - many don’t even get that far.

Minority opinion, I think there’s a lot they could do for Team Fortress 3.

• Reset expectations on cosmetics to reduce flaming ghost hats
• Invent female versions of each merc and a new character/voice for Soldier’s deceased actor
• Add an unobtrusive mantling system to replace crouch jumping
• Console crossplay
• Simplify weapons by making Flare gun and Sandwich defaults for respective classes
• Retool matchmaking system

I don’t remember there being any textual dialog in the game except for a few portions of the manual, so I’m not sure what you mean with the central temple. Its main activation comes from both towers, and as someone said, the first simply requires a short trip through a forest and beating a large guard; but the second requires a VERY long path.

Valve used to do ARGs for some of their major releases. It’ll be kinda sad if there’s just not enough energy around for people to figure out their puzzle pieces here.

I’m pretty sure even if the Steam store doesn’t do it, there are tools to search Steam that can exclude tags, right?